Table of Contents
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Introduction: Almost Cops Netflix Stunts at Full Scale
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Extensive Stunt Work Across the Entire Production
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Stunt Coordination and Action Direction by Deni Jordan
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High-Speed Go-Kart vs E-Bike Chase Through Rotterdam
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Urban Impact Stunts in Live City Environments
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The Final Fight Scene on a Live High-Rise Construction
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The 16th-Floor Fall: Planning, Rigging, and Execution
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The Core Stunt Team and International Collaboration
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Safety, Rehearsals, and Risk Management
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Conclusion: Almost Cops as a Benchmark for Action Comedy Stunts
1. Introduction: Almost Cops Netflix Stunts at Full Scale
Almost Cops Netflix stunts represent a production where stunt work was not limited to isolated moments, but instead formed a very important pillar of the film’s action and physical storytelling. Also known in the Netherlands as Bad Boas, the movie required a wide range of stunt disciplines executed in real urban environments and some of them at significant height.
A Boa is a kind of parking guard with no authority and so therefore people don´t respect the Boas much, which our 2 heroes experience.
The stunt department was led by Deni Jordan, who served as both Stunt Coordinator and Action Director on the project, with European Stunt Team delivering the stunt work alongside Dutch and international performers.
2. Extensive Stunt Work Across the Entire Production
From early pre-production, it was clear that Almost Cops would rely heavily on physical action throughout the film rather than limiting stunts to a few isolated sequences. The production involved a good volume of stunt work spread across multiple locations, requiring continuous coordination between performers, camera teams, and production.
Action was integrated directly into the storytelling, combining comedy with real physical risk. This meant repeated rehearsals, careful pacing, and constant adjustment to location constraints. The scope of the stunt work ranged from chase elements and physical impacts to complex fight choreography and high-risk wire-assisted setups, making the stunt department a core creative contributor across the entire shoot.
3. Stunt Coordination and Action Direction by Deni Jordan in Almost cops Netflix stunts
As both Stunt Coordinator and Action Director, Deni Jordan was responsible for the overall action vision, safety structure, and execution of all stunt sequences. His role included:
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Designing action sequences in collaboration with the director and dop
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Coordinating multiple stunt units
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Leading rehearsals and technical testing
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Managing safety systems for high-risk setups
This dual role ensured consistency across the film’s action language and allowed fast decision-making on set — critical on a Netflix production with tight schedules and complex locations.
4. High-Speed Go-Kart vs E-Bike Chase Through Rotterdam
One of the most memorable stunt sequences in almost cops netflix stunts is a chase involving a go-kart and a super-fast electric bike, filmed on real streets in Rotterdam.
The sequence involved:
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High-speed riding through narrow urban streets
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Close interaction with stunts and extras and street obstacles
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Physical hits with stuntpeople and objects along the route
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Tight coordination between riders, stunt performers, and camera teams
The chase escalates as it moves through the city and culminates on one of Rotterdam’s iconic bridges, delivering a visually striking and kinetic sequence grounded in real movement rather than digital enhancement.
5. Urban Impact Stunts in Live City Environments
Executing stunt work in an active city environment requires extreme precision and discipline. On Almost Cops, many stunts were performed in real urban locations, where the action had to appear uncontrolled while being tightly choreographed behind the scenes.
Performers interacted with real surroundings, including street furniture, vehicles, and architecture, all under strict safety protocols. Every movement was rehearsed to ensure that timing, distance, and impact points were exact. This approach allowed the action to feel spontaneous and chaotic on screen while remaining fully controlled and repeatable during filming.
6. The Final Fight Scene on a Live High-Rise Construction
The film’s final fight scene was staged on a real building under construction, adding a level of authenticity and risk that could not have been replicated on a soundstage. The sequence was shot on the 16th floor of the structure, which was completely open and exposed, creating genuine height and scale for the performers.
All safety measures was taken into consideration and filmcrew, actors and stuntteam was secured while filming close to open areas on the location with a risk of accidents.
Working in this environment required careful planning, custom rigging solutions adapted to an unfinished building, and constant attention to wind, balance, and footing. The location itself became an active part of the choreography, increasing both the visual impact and the technical demands of the stunt work.
7. The 16th-Floor Fall: Planning, Rigging, and Execution
The climax of the fight scene in almost cops netflix stunts involved a real fall from the 16th floor, performed by stuntman Paul Hawk using a wire rig.
Key aspects of the stunt included:
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Two full days of rig testing and rehearsals
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A wire setup with one primary system and two independent backup systems
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Incremental confidence building for the performer
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Clear abort procedures and safety oversight
While the stunt was understandably intimidating at first, the extensive preparation and redundant safety systems allowed the fall to be executed safely — and it translated powerfully on screen.
8. The Core Stunt Team and International Collaboration
The core stunt team on Almost Cops consisted of:
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Deni Jordan
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Ryan Rosario
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Conor Hegarty
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Paul Hawk
In addition to the main team, the production involved multiple Dutch and international stunt performers, working together across sequences of varying scale and complexity. This collaborative structure allowed the stunt department to scale efficiently while maintaining consistent standards.
9. Safety, Rehearsals, and Risk Management
Despite the comedic tone of the film, the stunt work on Almost Cops was approached with the same level of discipline as a straight action feature. Every major stunt was supported by detailed planning, technical rehearsals, and clear communication between all departments involved.
Risk management played a central role throughout the shoot. Safety briefings were conducted regularly, performers were fully informed of procedures, and all high-risk setups were supported by redundant systems. This allowed the stunt team to push the action visually while maintaining a controlled and professional working environment.
10. Conclusion: Almost Cops is another hit for Action Comedy Stunts
Almost Cops Netflix stunts demonstrate how action comedy can successfully combine humor, speed, and real physical risk when supported by experienced stunt coordination and thorough preparation.
With Deni Jordan serving as both Stunt Coordinator and Action Director, and European Stunt Team leading a diverse group of international performers, the film delivers large-scale stunt work that remains grounded, controlled, and visually impactful.